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Madeira il clima di Madeira 

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ballerina balloons, dancer balloons, ballet balloon, birthday balloons, ballerina party, ballet decorations, pink balloons, 18&q

ballerina balloons, dancer balloons, ballet balloon, birthday balloons, ballerina party, ballet decorations, pink balloons, 18&q

ballerina balloons, dancer balloons, ballet balloon, birthday balloons, ballerina party, ballet decorations, pink balloons, 18&q

T.O.P.S. Meeting: Take Off Pounds Sensibly is a support group for weight loss. Thursdays. 9:30-11 a.m. The Church of God, 937 Minnesota Ave., San Jose. Contact Daniel Kionka, 408-486-2357, or Katy Haselden, 408-335-3110. Sons in Retirement: Retired men’s luncheon club features fellowship and guest speakers. Meets the third Tuesday of the month. Elks Lodge, 444 Alma St., San Jose. For more information, contact Rich Peterson at Rick69bird@sbcglobal.net. Square Dance Class: The Committee to Promote Square Dancing hosts classes for singles and couples. Tuesdays, 6:30-8:30 p.m. Camden Community Center, 3369 Union Ave., San Jose. First three nights free, $5/class thereafter. Call Jackie at 408-663-1477. c-p-s-d.org.

Bay Area audiences can get a preview when Tilson Thomas conducts four pre-tour performances in Davies Symphony Hall, featuring Tetzlaff in Mozart’s concerto, The Ravel and Sibelius works complete the program, Details: 8 p.m, March 14-16; 2 p.m, March 17, Davies Symphony Hall; $20-$165; 415-864-6000; www.sfsymphony.org, PHILHARMONIA BAROQUE 19/20: A world premiere by Pulitzer Prize-winning composer Caroline Shaw, two fully staged Baroque operas and appearances by top artists, including countertenor Anthony Roth Costanzo, bass-baritone Davóne Tines and soprano Vėronique Gens, will be featured in the Philharmonia Baroque Orchestra’s 2019-20 season, scheduled to run ballerina balloons, dancer balloons, ballet balloon, birthday balloons, ballerina party, ballet decorations, pink balloons, 18&q Oct, 17, 2019, to April 19, 2020..

Presented by the Walnut Creek Library Foundation, the theme of this year’s fundraiser is “Authors, Artists, and Adventure.”. The evening includes a reception, silent auction, and gourmet dinner in the library stacks with a stellar author line up, including Tamim Ansary, Louise Aronson, Jack Cheevers, Harriet Scott Chessman, Yangsze Choo, Linda Rimac Colberg, Rosetta Costantino, Betsy Franco, Tom Franco, Tracy Guzemen, David Helvarg, Gary Kamiya, Catriona McPherson, Caroline Paul, Grant Petersen, Deborah Lee Rose, Julia Flynn Siler, Ransom Stephens, David Talbot and Zac Unger.

“The spirit is the same,” he said, “I think of it like Memorial Day.”, The La Ultima Parada event outgrew the San Jose Women’s Club four years ago and drew 2,500 attendees in 2015, Moreno said, adding that such events have been getting increasingly popular around the Bay Area and beyond, This year in Mexico City, where Dios de los Muertos events have traditionally been private, there was an inaugural parade with floats, huge skeleton puppets and more than 1,000 performers — inspired by the opening scene ballerina balloons, dancer balloons, ballet balloon, birthday balloons, ballerina party, ballet decorations, pink balloons, 18&q of the latest flick in the James Bond franchise in a case of life imitating art, That caused some rumblings about a celebration with ancient roots said to predate the Aztec Empire being turned into a publicity stunt..

Former New York City Ballet star Wendy Whelan, who retired from the world of classical dance nearly four years ago, has refashioned her considerable artistry and emerged at midlife as a compelling modern dance interpreter, known for her collaborations with contemporary choreographers and musicians. Her “Restless Creatures” tour with four male choreographers drew rave reviews when it hit San Francisco in 2015. Now she returns with one of those collaborators, choreographer/dancer Brian Brooks, and the string quartet Brooklyn Rider for another San Francisco Performances engagement. Their program “Some of a Thousand Words” contains a reprise of their earlier “First Fall” piece as part of the larger work and is buouyed by the Brooklyn Rider’s performance of music by John Luther Adams, Tyondai Braxton, Philip Glass and Brooklyn Rider’s own Colin Jacobsen.

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